
| Name of Venue | |
| The Parlour Gallery | |
| Featured Artist or Artists: | |
| Varvara Degtiarenko, with works by Elena Lioubimova, Maria Degtiarenko | |
| Artist Website: | |
| www.varvaradegtiarenko.com | |
| Venue Website: | |
| https://www.campstreetstudios.org/parlourgallery | |
| Venue address: | |
| 822 Camp Street New Orleans, Louisiana 70130 United States Map It |
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| Venue Phone Number: | |
| (512) 417-6306 | |
| Venue Operating Hours: | |
| Fri – Sat, 12 – 5pm, and by appointment | |
| Exhibition Start Date | |
| 12/06/2025 | |
| Exhibition End Date | |
| 01/31/2026 | |
| Will you host a public opening? | |
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| Opening Event Date & Time | |
| December 6, 2025 from 6-9pm | |
| Additional Programming: | |
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Varvara Degtiarenko will be present to activate the installation at the Parlour Gallery during open hours.
DEC 13 | 3 – 5p – Barbara’s Game in Action! Creative Workshop for Ages 3-103, with Elena Lioubimova
JAN 3 | 7p – Artist Talk
JAN 10 | 3 – 5p – Workshop with Sara Madandar on Bookmaking, Archiving Childhood
Plus additional events announced on @theparlourgallery.
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Barbara’s Game invites audiences into a participatory, intergenerational exploration of memory, identity, and witnessing. Rooted in a childhood game invented by Russian-born filmmaker, photographer and artist Varvara Degtiarenko in 1995 on a beach in Hampton, VA—where family and friends were asked to step into her shadow—the exhibition revisits documentation of the game originally captured by her mother, art historian Elena Lioubimova, and the artistic conversation generated by its rediscovery in 2017, including by work from her sister, photographer and graphic artist Maria Degtiarenko.
Blending photography, collage, child art, crankie, film, installation, and performance, the exhibition reanimates a dialogue first begun by a 6-year-old navigating immigration, displacement of self, and the desire to be seen. Through shifting height, scale and perspective, changing light, and participatory shadow-tracing, visitors encounter an interplay between the ephemeral and the archival—between shadows that disappear and images that endure.
It is specifically geared to be welcoming to families with children. Framing personal history as both vulnerable and generative, Barbara’s Game positions identity as an evolving practice—a game—and play as a shared language. The exhibition’s layered themes and purposeful use of various photographic mediums offers a meditation on continuity, healing, and the ways documentation can anchor and redefine the self across time.

